Radio Sensaciones

Other than the stamping, which I have never seen, those are tquhnieces that have been in Sean’s improvising vocabulary for a very long while. Particularly the forks and the crushing of resin on his drum with a cymbal. (I only saw him shake the snare in such a manner one time about a year and a half ago). So, perhaps it was less a desire to not play in his expected manner as it was a desire to finally let the global community know how much more there is to his work than people realize.

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